Eventually, after all the writing and editing and looking for agents and all that, eventually, in my case at least, it was time to give up on the agents (for now) and self-publish the book.
Not very long ago, self-publishing meant the author would have to dig into his or her own pockets to find the money to pay for a print run of books. That's not just printing, that's typesetting, page makeup, proofing, page and cover design, printing, binding, shipping...you get the idea. What it was, was expensive.
Back in a prior life, when I owned and ran printing companies, we used to say it was the first copy that was the expensive one. Once all the equipment was set up and running, making more copies was incredibly cheap. But it was getting the equipment (and the typesetting and the page makeup, etc) set up that cost all the money.
So, back in the day, you had to buy larger quantities to bring the unit cost down to something manageable. Self-publishing authors would typically buy a thousand or two of their books and then work their butts off for who knows how many years trying to unload them. And, all the time--or at least most of the time--they were out of pocket the full production cost.
It was a hard way to make any money.
But today, that's all changed.
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I'm thrilled to say, early reviews of my book Loss of Control have been overwhelmingly positive. Here are a few of the comments I've pulled from both Amazon.com reviews and Facebook:
!!!! I loved it...and I read a lot of thriller/mysteries. I loved the characters. The plot set in/around the race track was great. I didn't figure out "who dun it" until you told me!!! I keep trying to figure out what actor plays which character in the movie.
I'm about halfway through and still riveted. Started taking the book with me into the loo so I can sneak in a few more pages.
Just finished my copy tonight. I loved it….Can't wait for the next one!
The movie will make Scott money, but it will suck. They always do. READ THE BOOK!
Just finished reading this book last night. I found myself sneaking time away from other things to get in a few more pages. Needless to say it was tough to put down. Whether you are a racer, fan, or just love to read, it's a must-have.
Great read that combines a well crafted murder mystery with a very descriptive and exciting foray into the sport of road racing. The story grabbed me immediately and kept me engaged to the intriguing end.
Thoroughly enjoyed this book, and in fact I found myself reading "just a few pages more" until I finished it the second day. It's well paced, with plenty of action. I particularly enjoyed the inside look at racing from a driver's perspective, and I think the racing action scenes added a lot to make the story an interesting one. The mystery itself keeps you guessing up to the end. A great read; I'd love to see more like this one.
Scott Good's debut novel is a fast-paced read that was difficult to put down. Even when I thought I had a pretty good idea whodunnit, I was glued to the page to find out what happened next. Loss of Control is a captivating thriller all the way to the final race against time. It's a must-read for racing fans and fans of the mystery/thriller genre alike.
Well….I think this was a first for me! You may recall that [I bought] a copy of “Loss of Control” at Road America. I also received a copy of “Killing Kennedy” as a gift that Friday evening. I started reading Kennedy Friday evening and finished it Monday evening. I then tore into your novel and couldn’t stop. I don’t think I have ever read two books in one week but I finished “Loss of Control” last night and REALLY ENJOYED IT!!!
I LOVE murder mysteries and this book does not disappoint. It has everything: suspense, romance and great characters. I don't know anything about car racing, but the writer has a great way of making everything understandable…. The technology mentioned throughout the book is really interesting. Reminds me of a Michael Crichton novel where he weaves science and medicine into the storyline. "Loss of Control" provides the same type of information only about car racing.
I had a blast reading this book! I really got into the race action. The author helped me visualize each turn as if I was actually in the race car, and had me visualizing each turn by name. The race action is very exciting, from the opening scene, which sets the premise of the book, to the end….The ending to the mystery is not what I expected, and had a few twists I did not see coming. All in all, a great read from a first time author.
If you haven't ordered your copy yet, what are you waiting for?
Now available in paperback, Kindle, and ePub (like for Nook) formats. Or, if you're near Columbus, Ohio, join us tomorrow at Jeffrey Thomas Clothiers in the Kingsdale Shopping Center for a book signing from 11 until 2.
Get it today (or tomorrow) and spend the rest of the weekend finding reasons to sneak off to the bathroom to read!
There is plenty of advice available to budding new authors. A lot of it. Most is out here on the Internet and most of it--that I've seen anyway--says your only real chance of getting noticed by a publisher is to be represented by an agent.
If one is to believe the preponderance of what has been posted on this subject (and I can't see why not), it seems there is a pretty clear hierarchy at work here, with the publishers at the top because they, after all, have the money.
Beneath the publishers are the agents, of which there are many, who represent many different books for many different authors. Like an auditorium filled with teenage girls, all screaming for the attention of Justin Bieber, the agents clamor for face time and attention from the publishers because, as I believe I have already mentioned, the publishers have the money.
Once you get past the agents, you're down to the talent. The authors themselves. I was tempted to use an analogy of John/pimp/hooker for the publisher/agent/author relationship because there's a lot that works. Both the pimp and hooker, for instance, are working for the John's money.
Where that breaks down is when you get to the authors. In the pimp/hooker scenario, the pimps are doing the work of developing the relationship between themselves and the talent. Although not exactly my area of expertise, I would expect it's a lot easier to convince a pimp to take on a hooker than it is to convince a hooker (or hooker-to-be) to sign on with a pimp.
In the agent/author scenario, the dynamic is the other way around. There, it's the authors trying to lure the agents into representing them. Back to the teeny-boppers and Justin Bieber analogy, Mr. Bieber has a wealth of options from which to choose while each of the ladies in the crowd has a single choice.
Agents are the Bieber in the agent/author relationship, at least at the start which, for most of us, is the only place that really matters. Agents get so many requests from anxious new authors that they can be incredibly, remarkably, cavalier with their attention.
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